1 00:00:05,021 --> 00:00:09,708 ITEM NINE... THE 400 BLOCK OF VON STEUBEN AVENUE, 2 00:00:09,776 --> 00:00:15,013 OR AS IS MORE COMMONLY DESIGNATED, "SNIPER ALLEY." 3 00:00:15,082 --> 00:00:18,350 AS YOU ARE NO DOUBT AWARE, OFFICERS LUDWIG AND CARMICHAEL... 4 00:00:18,419 --> 00:00:22,654 CHOSE TO DISREGARD THIS PREVIOUSLY AFOREMENTIONED ITEM... 5 00:00:22,723 --> 00:00:26,692 AND TOOK A RATHER COSTLY JOYRIDE DOWN THE GAUNTLET LAST WEEK, 6 00:00:26,760 --> 00:00:29,294 PRECIPITATING NOTABLE DAMAGE TO THEIR UNIT... 7 00:00:29,363 --> 00:00:33,064 AND A ONE-WAY TICKET OFF THE HILL. 8 00:00:33,133 --> 00:00:39,037 SO, LET'S TAKE A LESSON FROM THIS EPISODE... 9 00:00:39,106 --> 00:00:41,139 PARTS AND LABOR-WISE, 10 00:00:41,208 --> 00:00:43,408 CAREER-WISE AND OTHERWISE... 11 00:00:43,477 --> 00:00:46,545 AND STAY CLEAR OF THAT SHOOTING GALLERY. 12 00:00:46,614 --> 00:00:49,615 UNLESS YOU ARE IN HOT PURSUIT OF A MAJOR, MAJOR FELON, 13 00:00:49,683 --> 00:00:52,951 I DON'T EVEN WANT YOU LOOKING UP THE ALLEY. 14 00:00:53,019 --> 00:00:55,554 UNDERSTAND? 15 00:00:55,623 --> 00:00:57,689 ALL RIGHT. ITEM 10. 16 00:00:57,758 --> 00:01:01,360 WE RECEIVED ANOTHER REPORT ABOUT THE MOTORCYCLIST... 17 00:01:01,428 --> 00:01:04,162 BUZZING ST. TERESA'S WITHOUT THE BENEFIT OF CLOTHING. 18 00:01:04,231 --> 00:01:07,899 NOW, HE'S BEEN DESCRIBED AS A MALE CAUCASIAN IN HIS EARLY 60s, 19 00:01:07,968 --> 00:01:12,604 DRIVING A RED, 500c.c. ROYAL ENFIELD... 20 00:01:12,673 --> 00:01:14,606 WITH A BABY-BLUE HELMET... 21 00:01:14,675 --> 00:01:19,478 AND A LARGE TATTOO ON HIS RIGHT UPPER BUTTOCK, 22 00:01:19,546 --> 00:01:22,748 PLUS NUMEROUS TATTOOS ON HIS UPPER BODY. 23 00:01:22,816 --> 00:01:28,320 NOW, THESE ARE DEVOUT ELDERLY LADIES AND NUNS... 24 00:01:28,389 --> 00:01:31,990 BEING SUBJECTED TO A PUBLIC INVASION... 25 00:01:32,058 --> 00:01:34,859 OF PRIVATES, AS IT WERE. 26 00:01:37,097 --> 00:01:41,199 YOUR UNCUSTOMARY SILENCE TESTIFIES AMPLY TO THE ESTEEM... 27 00:01:41,268 --> 00:01:44,703 IN WHICH WE HOLD THE SUBJECT OF THIS LAST ITEM. 28 00:01:47,040 --> 00:01:49,185 NOW, WE ALL KNOW WHO IS IN HERE. 29 00:01:49,209 --> 00:01:52,877 TO MOST PEOPLE, THIS WOULD SEEM JUST A COMMON URN. 30 00:01:52,946 --> 00:01:57,349 BUT WE KNOW IT HOLDS ONE OF THE PREMIER... 31 00:01:57,418 --> 00:02:00,018 PHONE INSTALLERS OF THE COUNTRY, 32 00:02:00,086 --> 00:02:02,921 OFFICER MARVIN OLIVER BOX, 33 00:02:02,989 --> 00:02:05,890 OR SIMPLY "MARV" AS WE KNEW HIM. 34 00:02:05,959 --> 00:02:09,961 BORN, 16 MAY, 1946. 35 00:02:10,030 --> 00:02:13,699 DECEASED, JUST LAST TUESDAY, IN THIS VERY ROOM, 36 00:02:13,767 --> 00:02:17,001 WITH UNIFORM ON AND DRILL BIT IN HAND. 37 00:02:17,070 --> 00:02:20,071 MARV MUST'VE KNOWN THAT HE'D BE LEAVING US SOON, 38 00:02:20,140 --> 00:02:23,274 BECAUSE WE FOUND A SMALL POEM IN HIS WILL... 39 00:02:23,344 --> 00:02:27,979 WHICH WE'VE HAD INSCRIBED ON THIS... THIS VESSEL HERE. 40 00:02:28,048 --> 00:02:34,018 UH, "I'VE LAID A LOT OF CABLE, AND I'VE STRUNG A LOT OF LINE. 41 00:02:34,087 --> 00:02:38,824 "SURE, IT GETS LONELY, BUT THAT'S OKAY, 42 00:02:38,892 --> 00:02:42,193 BECAUSE IT BRINGS PEOPLE CLOSER TOGETHER." 43 00:02:43,263 --> 00:02:45,196 PER HIS FINAL WILL AND TESTAMENT, 44 00:02:45,265 --> 00:02:48,199 MARV WAS CREMATED YESTERDAY AT BOLINSKI'S CREMATORIUM, 45 00:02:48,268 --> 00:02:50,235 AND HE WILL LIE IN STATE... 46 00:02:50,303 --> 00:02:54,373 BESIDES THE SQUAD ROOM COFFEE MACHINE... 47 00:02:54,441 --> 00:02:57,175 FOR THE REMAINDER OF THE AFTERNOON. 48 00:02:58,178 --> 00:03:00,111 MARV, LET'S ROLL, HUH? 49 00:03:02,082 --> 00:03:04,048 AND LET'S BE CAREFUL UP THERE. 50 00:03:04,117 --> 00:03:07,452 DISPATCH. WE HAVE A 9-11. 51 00:03:07,521 --> 00:03:09,521 ARMED ROBBERY IN PROGRESS. 52 00:03:09,590 --> 00:03:13,358 SEE SURPLUS STORE, CORNER PEOPLE'S DRIVE, 124th STREET. 53 00:04:40,146 --> 00:04:42,459 AT LEAST YOU GOT OUT WHILE THE GETTIN' WAS GOOD, MARV. 54 00:04:42,483 --> 00:04:46,317 'CAUSE YOU CAN TAKE IT FROM ME, THERE'S A LOT OF CHANGES GOIN' DOWN AROUND HERE, 55 00:04:46,386 --> 00:04:48,954 AND NONE OF 'EM ARE FOR THE BETTER. 56 00:04:55,496 --> 00:04:57,325 I'LL TELL YOU, NEAL. THIS BEING A BUSINESSMAN'S 57 00:04:57,349 --> 00:04:58,808 GIVEN ME A WHOLE NEW OUTLOOK ON LIFE. 58 00:04:58,832 --> 00:05:01,132 YEAH, ME TOO, LOVER. IT'S CALLED MAJOR TRAUMA. 59 00:05:01,201 --> 00:05:04,402 OH, HEY, LOOK. I, UH, PICKED UP THE KEYS LAST NIGHT. 60 00:05:04,471 --> 00:05:08,339 HEY! GOTTA HAND IT TO YOU, J.D. YOU GOT A LOT OF GUTS, MAN, 61 00:05:08,408 --> 00:05:10,386 CONSIDERING THE NEIGHBORHOOD WE BOUGHT INTO. 62 00:05:10,410 --> 00:05:11,955 MMM. MMM. 63 00:05:11,979 --> 00:05:14,412 HEY, LOOKIN' PRETTY RAGGED THERE, MICK. 64 00:05:14,481 --> 00:05:16,481 YOU BEEN SLEEPING OKAY, BABE? 65 00:05:17,684 --> 00:05:19,918 MMM. I WONDER WHAT'S EATING HIM. 66 00:05:19,987 --> 00:05:22,821 HARD TO TELL UNLESS HE GROWLS. 67 00:05:24,791 --> 00:05:27,103 ASIDE FROM THE OBVIOUS FASHION ANGLE, THERE'S 68 00:05:27,127 --> 00:05:29,360 ANOTHER ADVANTAGE TO BEING IN PLAINCLOTHES. 69 00:05:29,429 --> 00:05:33,498 YOU'RE NOT GONNA END UP IN SOME LOUSY URN ON A PRECINCT COFFEE TABLE. 70 00:05:33,567 --> 00:05:36,434 MARV THERE DIED OF NATURAL CAUSES, RENKO. 71 00:05:36,503 --> 00:05:39,682 WHEN YOU GO DOWN IN UNIFORM, THERE AIN'T NO SUCH THING AS NATURAL CAUSES. 72 00:05:39,706 --> 00:05:41,684 YOU OUGHTA KNOW THAT AS WELL AS ANYBODY. 73 00:05:41,708 --> 00:05:43,788 FIRST THING HAPPEN TO YOU, THE FIRST THING YOU SAY... 74 00:05:45,779 --> 00:05:49,380 OH, LORD, AM I GOING CRAZY, OR DID I JUST HEAR HIM RATTLE? 75 00:05:49,449 --> 00:05:53,251 BONES, RENKO. BONES. IT'S OBVIOUSLY A THIRD-RATE CREMATION JOB. 76 00:05:53,319 --> 00:05:57,255 YOU KNOW, YOU'D BE AMAZED AT THE NUMBER OF FAHRENHEIT UNITS IT TAKES... 77 00:05:57,323 --> 00:06:00,525 TO FULLY ASH THE HUMAN SKELETAL SYSTEM. 78 00:06:00,594 --> 00:06:05,296 2,400 MINIMUM FOR YOUR LARGER BONES, LIKE YOUR FEMUR OR YOUR FIBULA. 79 00:06:05,365 --> 00:06:08,700 AND THAT DOESN'T EVEN MENTION THE, UH, GOLDARN CRANIUM. 80 00:06:22,182 --> 00:06:26,484 - HOW MANY? - THIRTY-SIX ARRESTS IN THE PAST 24 HOURS, 81 00:06:26,553 --> 00:06:29,788 AND THAT'S NOT EVEN COUNTING THREE COLLARS HE GAVE TO BATES. 82 00:06:29,856 --> 00:06:33,424 I JUST GOT THE BREAKDOWN 10 MINUTES AGO. 83 00:06:33,493 --> 00:06:38,529 NOW, PHIL, WE KNOW BELKER MOVES FAST, BUT THIS IS HARD TO BELIEVE. 84 00:06:38,599 --> 00:06:41,544 HAS HE BEEN WORKING OVERTIME? HE'S BEEN PUNCHING OUT AFTER EIGHT HOURS, 85 00:06:41,568 --> 00:06:43,868 BUT ACCORDING TO THOSE ARREST TIMES, 86 00:06:43,937 --> 00:06:47,806 HE'S BEEN BRINGING IN SUSPECTS NEARLY 24 HOURS A DAY. 87 00:06:47,874 --> 00:06:50,075 WELL, SOMETHING'S WRONG HERE, PHIL. 88 00:06:50,143 --> 00:06:52,176 I MEAN, EITHER WITH THESE REPORTS OR WITH BELKER. 89 00:06:52,245 --> 00:06:54,223 TELL HIM I WANT TO SEE HIM AS SOON AS HE GETS BACK IN. 90 00:06:54,247 --> 00:06:56,180 ALL RIGHT. HILL, RENKO! 91 00:06:56,249 --> 00:06:58,382 CAPTAIN? YES, SIR? 92 00:06:58,451 --> 00:07:01,297 CLEANERS LOSE YOUR UNIFORMS, OR HAVE YOU OUTGROWN THEM BY NOW? 93 00:07:01,321 --> 00:07:04,789 NO, SIR. ACTUALLY, WE JUST HAD A LITTLE MORE WORK TO DO ON THAT RIVAS MURDER CASE. 94 00:07:04,858 --> 00:07:07,737 WE FIGURE WE'LL HAVE THAT COUNCILMAN McAURLEY ON ICE FOR YOU IN A DAY OR TWO. 95 00:07:07,761 --> 00:07:12,430 APPRECIATE YOUR ZEAL, RENKO, BUT CHESLEY'S ALREADY GOT A HANDLE ON IT. 96 00:07:12,499 --> 00:07:14,966 WELL, THEN, WHERE DOES THAT LEAVE ME AND BOBBY? 97 00:07:15,035 --> 00:07:17,847 THAT LEAVES YOU BACK IN UNIFORM AND OUT ON THE STREETS, WHERE WE REALLY NEED YOU. 98 00:07:17,871 --> 00:07:21,673 YEAH, BUT... I'VE ALREADY FORWARDED YOUR TRANSFER TO PLAINCLOTHES, 99 00:07:21,742 --> 00:07:25,143 BUT UNTIL WE HEAR FROM DIVISION, IT'S BUSINESS AS USUAL, OKAY? 100 00:07:25,211 --> 00:07:28,246 DON'T WORRY, COWBOY. YOU'LL LOOK JUST FINE IN A JAR. 101 00:07:30,350 --> 00:07:32,670 LISTEN, I'M RUNNING LATE, PHIL. WHAT ELSE DO YOU HAVE HERE? 102 00:07:32,719 --> 00:07:34,897 JUST A CALL FROM MIDTOWN. THEY'RE SENDING OVER THE TAPE... 103 00:07:34,921 --> 00:07:37,255 THEY GOT OF FAY'S OBSCENE PHONE CALLER. 104 00:07:37,323 --> 00:07:39,791 GOOD. HANG ONTO IT. I'LL LISTEN TO IT WHEN I GET BACK. 105 00:07:39,860 --> 00:07:41,860 THAT'S IT? 106 00:07:43,530 --> 00:07:46,031 CAN'T KEEP DESTINY WAITING. 107 00:08:12,592 --> 00:08:15,259 WHAT A PLEASANT COINCIDENCE. NO COINCIDENCE, FURILLO. 108 00:08:15,328 --> 00:08:17,829 I PHONED YOUR OFFICE. GET IN. I'VE GOT A BREAKFAST. I'M LATE. 109 00:08:17,898 --> 00:08:20,398 FRANK, WOULD YOU PLEASE GET IN? 110 00:08:26,973 --> 00:08:29,540 MY CLIENT, NEMO RODRIGUEZ? 111 00:08:29,609 --> 00:08:31,921 THEY TRACED THE GUN TO SOMEONE WHO ALLEGEDLY SOLD IT TO HIM... 112 00:08:31,945 --> 00:08:34,545 THREE DAYS BEFORE THE RIVAS GIRL SHOOTING. 113 00:08:34,614 --> 00:08:37,882 THAT GIVES THE D.A. ENOUGH FOR PREMEDITATION. 114 00:08:37,951 --> 00:08:40,418 I DIDN'T KNOW. NEITHER DID I. 115 00:08:40,486 --> 00:08:43,432 NOT UNTIL I WALKED INTO THAT COURTROOM. 116 00:08:43,456 --> 00:08:46,758 OH! HEY, WHY DON'T YOU GO AROUND ME? 117 00:08:48,862 --> 00:08:53,297 FRANK, I HAVE SPENT OVER A WEEK PREPARING A DEFENSE FOR INVOLUNTARY MANSLAUGHTER, 118 00:08:53,366 --> 00:08:55,344 ONLY TO HAVE HIM ARRAIGNED TODAY... 119 00:08:55,368 --> 00:08:57,769 FOR FIRST DEGREE MURDER... WITH NO BAIL. 120 00:08:57,838 --> 00:09:00,883 WHAT ARE YOU REALLY MAD ABOUT, COUNSELOR? BEING SUCKERED IN COURT... 121 00:09:00,907 --> 00:09:04,075 OR THE FACT THAT McAURLEY MAY BE TELLING THE TRUTH, AND THE D.A.'s RIGHT? 122 00:09:04,144 --> 00:09:06,611 YOU DON'T BELIEVE THAT ANY MORE THAN I DO, FRANK. 123 00:09:06,679 --> 00:09:09,547 IF NEMO DID SHOOT THE GIRL, HE NEVER MEANT TO. 124 00:09:09,616 --> 00:09:11,816 THAT MUCH I KNOW IN MY BONES. 125 00:09:13,887 --> 00:09:16,054 WHAT'S WITH SCHNEIDER? ANYTHING? NO. 126 00:09:16,123 --> 00:09:18,757 BUT I EXPECT TO RUN INTO HIM THIS AFTERNOON. 127 00:09:22,562 --> 00:09:26,998 I THINK OUR PRUDENT SEPARATION IS MAKING US BOTH A LITTLE TESTY. 128 00:09:27,067 --> 00:09:30,769 WASN'T MY IDEA, KIDDO. BOY, YOU SMELL GOOD. 129 00:09:30,837 --> 00:09:34,806 BUT THEN, ONLY ONE OF US IS GOING HOME TO AN EMPTY APARTMENT. 130 00:09:34,875 --> 00:09:38,609 WHAT AM I SUPPOSED TO DO? SEND HER BACK TO THAT PHONE PERVERT? 131 00:09:44,517 --> 00:09:47,518 OF COURSE NOT. 132 00:09:47,587 --> 00:09:49,520 HOW'S FRANK JR. TAKING IT? 133 00:09:49,589 --> 00:09:51,522 HE'S A LITTLE CONFUSED. 134 00:09:51,591 --> 00:09:54,959 HE THINKS HIS MOM AND DAD MAY BE GETTING BACK TOGETHER. 135 00:09:55,028 --> 00:09:56,961 ARE THEY? 136 00:09:59,900 --> 00:10:03,168 I'M SORRY, FRANK. I SHOULDN'T HAVE SAID THAT. 137 00:10:03,236 --> 00:10:06,171 I'LL TALK TO YOU LATER. FRANK! 138 00:10:28,428 --> 00:10:31,196 I'D RECOMMEND THE EGGS BENEDICT, FRANK, 139 00:10:31,264 --> 00:10:34,565 BUT THE HOLLANDAISE IS PROBABLY PETRIFIED BY NOW. 140 00:10:41,574 --> 00:10:43,507 HELLO, HOWARD. FRANK. 141 00:10:43,576 --> 00:10:46,110 ED. MORNING, FRANK. 142 00:10:46,179 --> 00:10:48,112 I'M SORRY, CHIEF. 143 00:10:48,181 --> 00:10:51,194 IT'S NOT ALL THAT EASY TO GET OFF THE HILL, HUH, FRANK? 144 00:10:51,218 --> 00:10:54,485 TOO BAD WE DON'T TAKE ATTENDANCE AT THESE BREAKFASTS INTO ACCOUNT, DAVE. 145 00:10:54,554 --> 00:10:58,356 OLD ED WOULD BE A SHOO-IN FOR COMMANDER AGAINST FRANK THERE. 146 00:10:58,424 --> 00:11:00,859 THERE'S NO DOUBT ABOUT IT, CHIEF. 147 00:11:00,927 --> 00:11:03,039 I'LL BET YOU'RE WONDERING ABOUT OUR LITTLE CENTERPIECE, FRANK. 148 00:11:03,063 --> 00:11:05,263 LOOKS A LITTLE LIKE SNIPER ALLEY. 149 00:11:05,332 --> 00:11:08,933 YOU GUESSED IT. JUST A TERRIFIC JOB, HOWARD. 150 00:11:09,002 --> 00:11:11,736 JUST SPLENDID. 151 00:11:11,804 --> 00:11:13,738 THANK YOU. WILL YOU LOOK AT THAT? 152 00:11:13,806 --> 00:11:15,852 HE'S EVEN GOT LITTLE PEOPLE IN THERE. 153 00:11:15,876 --> 00:11:19,543 THEY'RE SCALE-MODEL HISPANICS, CHIEF. I WAS HOPING YOU'D NOTICE. 154 00:11:19,612 --> 00:11:21,612 OKAY, HOWARD. 155 00:11:23,549 --> 00:11:27,051 WHAT'S HE GOT IN STORE FOR US? WAIT AND SEE. 156 00:11:44,670 --> 00:11:48,072 THAT'S IT, FRANK... SURPRISE. THAT'S THE BABY. 157 00:11:48,141 --> 00:11:54,078 AS A MATTER OF FACT, HOWARD'S ALREADY SHOWN ME HIS... BABY. 158 00:11:54,147 --> 00:11:57,115 THE SURPRISE, FRANK, IS THAT ITS MOTHER... 159 00:11:57,183 --> 00:12:01,185 JUST ARRIVED FROM NISHITSU'S NAGASAKI PLANT LAST NIGHT... 160 00:12:01,254 --> 00:12:03,654 ALL 25 TONS OF HER. 161 00:12:03,723 --> 00:12:05,559 HOWARD'S GONNA BE TAKING HER OUT FOR A LITTLE 162 00:12:05,583 --> 00:12:07,525 SPIN DOWN THE REAL SNIPER ALLEY THIS AFTERNOON. 163 00:12:07,593 --> 00:12:11,462 IF YOU DON'T MIND MY SAYING SO, CHIEF, WE'RE MAKING A GRAVE MISTAKE. 164 00:12:11,531 --> 00:12:13,531 RELAX, FRANK, RELAX. 165 00:12:13,599 --> 00:12:16,234 IT'S JUST A DRY RUN. IT WON'T EVEN BE LOADED. 166 00:12:16,303 --> 00:12:19,703 EXCEPT MAYBE FOR THOSE TWO LITTLE GUNS IN THE TOP TURRET THERE. 167 00:12:19,772 --> 00:12:21,705 AS FAR AS THE PEOPLE KNOW, 168 00:12:21,774 --> 00:12:24,775 IT COULD JUST AS WELL BE A FLOAT IN THE ROSE PARADE, HUH? 169 00:12:28,815 --> 00:12:32,116 OKAY, HOWARD, FOR THE BENEFIT OF US DESKBOUND TYPES, 170 00:12:32,185 --> 00:12:34,118 LET'S SEE WHAT THIS BABY OF YOURS CAN DO. 171 00:12:34,187 --> 00:12:36,654 THANK YOU, CHIEF. 172 00:12:36,722 --> 00:12:40,325 POWERED BY A 2,000-HORSEPOWER KRUPP-GRUMMAN ENGINE, 173 00:12:40,393 --> 00:12:45,263 ARMOR-PLATED, EQUIPPED WITH A 360-DEGREE ARTILLERY TURRET, 174 00:12:45,332 --> 00:12:48,166 IT HAS ENOUGH PROVISIONS TO SUSTAIN FIVE PERSONNEL... 175 00:12:48,234 --> 00:12:50,335 FOR 32 DAYS OF SIEGE. 176 00:12:50,403 --> 00:12:53,304 NOW THE NISHITSU IS WITHOUT EQUAL... 177 00:12:53,373 --> 00:12:56,674 IN THE CURRENT URBAN WARFARE TECHNOLOGY. 178 00:12:56,742 --> 00:13:01,679 GENTLEMEN, THE PANDA. 179 00:13:02,949 --> 00:13:06,184 THANK YOU. 180 00:13:06,252 --> 00:13:10,554 HOWARD, THAT TUBULAR PROJECTION ON THE FRONT... WHAT'S THAT FOR? 181 00:13:15,428 --> 00:13:18,129 NICE TOUCH, HOWARD. HAVEN'T SEEN ONE OF THOSE SINCE KOREA. 182 00:13:18,198 --> 00:13:20,731 YES? THERE'S WHAT? 183 00:13:20,800 --> 00:13:23,501 OH, I APPRECIATE YOUR DISCRETION, LAURIE, BUT IT WASN'T NECESSARY. 184 00:13:23,569 --> 00:13:27,338 GENTLEMEN, IT SEEMS THAT THEY'VE HAD A SLIGHT 211 OUT FRONT... 185 00:13:27,407 --> 00:13:29,974 AT THE COFFEE SHOP A FEW SECONDS AGO. 186 00:13:30,043 --> 00:13:32,676 BUT... BUT SINCE UNITS ARE ON THE WAY, 187 00:13:32,745 --> 00:13:35,146 AND THE SUSPECTS ARE LONG GONE, I SUGGEST... 188 00:13:35,215 --> 00:13:38,983 WE SIMPLY SIT BACK DOWN AGAIN AND ALLOW HOWARD TO CONTINUE HIS DEMONSTRATION. 189 00:13:40,353 --> 00:13:42,320 THE PRESS, CHIEF. 190 00:13:42,389 --> 00:13:44,889 ON SECOND THOUGHT, UM, 191 00:13:44,957 --> 00:13:48,493 I THINK A REAR EXIT WOULD BE ADVISABLE, GENTLEMEN. 192 00:13:48,561 --> 00:13:50,561 HOWARD, GET THAT STUFF OUTTA HERE. 193 00:14:05,595 --> 00:14:08,262 SORRY... LUCY, PASS THESE OUT, WOULD YOU? 194 00:14:08,331 --> 00:14:13,234 OKAY, NOW, EACH $1,000 YOU'VE INVESTED... 195 00:14:13,302 --> 00:14:16,104 REPRESENTS ONE SHARE OF SALOONDROMAT, INCORPORATED, 196 00:14:16,172 --> 00:14:19,107 OR 10% OF THE TOTAL CAPITAL OUTLAY. 197 00:14:19,175 --> 00:14:21,109 WATCH. 198 00:14:21,177 --> 00:14:23,210 RACHEL AND I WERE GONNA USE OUR GRAND... 199 00:14:23,279 --> 00:14:27,548 AS A DEPOSIT ON THAT STATION WAGON SHE'S ALWAYS WANTED. 200 00:14:27,617 --> 00:14:31,619 YEAH. I WAS GONNA USE MINE FOR MY CHILDREN'S EDUCATION. 201 00:14:31,688 --> 00:14:33,821 MM-HMM. 202 00:14:35,091 --> 00:14:38,626 YOU DON'T HAVE ANY CHILDREN, PHIL. NO, NOT YET. 203 00:14:38,695 --> 00:14:43,564 BUT I'VE MADE A BIG DECISION ABOUT MY FUTURE. BIG. 204 00:14:43,633 --> 00:14:46,934 THIS THING SAYS $4,000 OUTLAY! 205 00:14:47,003 --> 00:14:50,171 WHAT RAY IS SAYING IS THAT, WHERE'S THE OTHER $6,000? 206 00:14:50,239 --> 00:14:53,107 - YOUR FIGURES ARE A LITTLE VAGUE. - HEY! 207 00:14:53,176 --> 00:14:56,678 WHAT, AM I DEALING WITH A BUNCH OF AMATEURS HERE? 208 00:14:56,746 --> 00:14:59,814 HEY, YOU DON'T TURN SOME PENSIONER'S DIVE INTO A SALOONDROMAT... 209 00:14:59,883 --> 00:15:02,050 WITH A COUPLE OF KEGS OF BEER AND SOME CHEEZ-ITS. 210 00:15:02,118 --> 00:15:04,986 YOU GOTTA SPEND A LITTLE... DECOR, LIQUOR... 211 00:15:05,055 --> 00:15:07,155 NOT TO MENTION THE WASHING MACHINES, DRYERS, 212 00:15:07,223 --> 00:15:09,924 UTILITIES, GIRLS, JUKEBOXES. WHOA, WHOA, WHOA! 213 00:15:09,993 --> 00:15:12,426 WHAT? GIRLS? 214 00:15:12,495 --> 00:15:16,397 WHAT GIRLS, BABY? HMM? 215 00:15:16,465 --> 00:15:19,834 DO YOU REALLY THINK OUR CUSTOMERS ARE GONNA WANT TO DO THEIR LAUNDRY THEMSELVES? 216 00:15:19,903 --> 00:15:22,369 NO WAY. AND THEY'RE NOT GONNA HAVE TO, 217 00:15:22,438 --> 00:15:26,340 BECAUSE WE ARE GONNA PROVIDE SOME DYNAMITE FOXES TO HELP 'EM. OH! 218 00:15:26,409 --> 00:15:28,342 BRING 'EM BLEACH, SOME DETERGENT. 219 00:15:28,411 --> 00:15:31,245 HEY, A LITTLE HELP WITH THE FLUFF AND FOLD. 220 00:15:31,314 --> 00:15:33,247 FLUFF AND FOLD? COME ON! 221 00:15:46,196 --> 00:15:49,363 STRAIGHT THROUGH THE DOORS, MA'AM. IT'S THE, UH, 222 00:15:49,432 --> 00:15:53,300 GREEN-COLORED URN ON... ON THE COFFEE TABLE. 223 00:15:55,338 --> 00:15:57,905 I'M THRILLED, PHIL. HONEST TO GOD. 224 00:16:06,816 --> 00:16:09,717 BUT, UH, YOU KNOW, KIDS, PHIL... 225 00:16:09,786 --> 00:16:12,720 KIDS ARE A BIG RISK. 226 00:16:12,789 --> 00:16:16,390 I MEAN, YOU DON'T JUST LEAP INTO IT WITH BOTH HANDS. 227 00:16:16,459 --> 00:16:19,660 HENRY, I AM HARDLY THE LEAPING TYPE. 228 00:16:19,729 --> 00:16:21,662 NOPE. 229 00:16:21,731 --> 00:16:24,065 I HAVE THOUGHT THIS OVER IN DEPTH... 230 00:16:25,068 --> 00:16:27,135 PROFOUND DEPTH, 231 00:16:27,203 --> 00:16:29,137 DEEP DEPTH. 232 00:16:29,205 --> 00:16:33,374 YOU'LL EXCUSE ME FOR SAYING SO, BUT YOU'RE NO SPRING CHICKEN, PHIL. 233 00:16:33,442 --> 00:16:37,745 IT'S A HELL OF A RISK. LIFE IS A RISK. WHAT ISN'T? 234 00:16:37,814 --> 00:16:42,216 YOU KNOW, A GUY I KNOW DIED TWO WEEKS AGO EATING A CLUB SANDWICH. 235 00:16:42,285 --> 00:16:44,285 FORGOT TO TAKE OUT THE TOOTHPICKS. 236 00:16:44,353 --> 00:16:50,324 PHIL, THERE ARE RISKS, AND THEN THERE ARE... SERIOUS RISKS. 237 00:16:53,797 --> 00:16:58,299 I GUESS GRACE KNOWS THAT SHE'S PAST THE PRIME CHILDBEARING YEARS. 238 00:16:58,367 --> 00:17:01,269 HENRY! NO, I'M TALKING STATISTICS, PHIL... 239 00:17:01,337 --> 00:17:03,315 PURE STATISTICS ON WOMEN OVER 40. 240 00:17:03,339 --> 00:17:06,207 HENRY, WE ARE NOT TALKING GRACE. 241 00:17:06,276 --> 00:17:09,076 WE ARE TALKING CINDY. 242 00:17:09,145 --> 00:17:11,279 CINDY? CINDY. 243 00:17:11,347 --> 00:17:13,681 CINDY? BUT SHE'S... 244 00:17:13,749 --> 00:17:16,217 EIGHTEEN LAST WEEK. 245 00:17:16,286 --> 00:17:18,886 BUT A VERY MATURE YOUNG LADY. 246 00:17:18,955 --> 00:17:22,223 OH, I'M SURE SHE IS, PHIL. 247 00:17:22,292 --> 00:17:24,892 ALL I GOTTA DO IS BREAK THE NEWS TO GRACE. 248 00:17:28,397 --> 00:17:31,199 AND AFTER LAST NIGHT, THAT MIGHT NOT BE EASY. 249 00:17:31,267 --> 00:17:33,067 WHY? WHAT HAPPENED LAST NIGHT? 250 00:17:34,470 --> 00:17:36,904 OH. 251 00:17:36,973 --> 00:17:40,208 WELL, I GUESS YOU COULD CALL IT, UH, THE LONG GOOD-BYE. 252 00:17:42,879 --> 00:17:46,314 NO, I GUESS YOU COULDN'T, HUH? 253 00:17:46,382 --> 00:17:48,916 CINDY? YEP. 254 00:17:48,985 --> 00:17:50,963 I FEEL KIND OF GUILTY THAT WE NEVER INVITED MARV... 255 00:17:50,987 --> 00:17:52,920 TO ANY OF OUR TUESDAY NIGHT POKER GAMES. 256 00:17:52,989 --> 00:17:56,257 NOT TO SPEAK ILL OF THE DEAD, NEAL, BUT THE DUDE WAS BORING. 257 00:17:56,326 --> 00:17:58,304 I LIKED HIM AS MUCH AS THE NEXT GUY. 258 00:17:58,328 --> 00:18:01,662 BUT LET'S FACE IT, MARV WAS NOT MR. ENTERTAINMENT. 259 00:18:05,335 --> 00:18:08,635 - WHAT DO YOU MAKE OF THAT? - IF I DIDN'T KNOW BETTER, I'D SAY THAT... 260 00:18:08,704 --> 00:18:12,907 THAT BORING DUDE HAD SOMETHING GOING FOR HIM. 261 00:18:12,976 --> 00:18:14,976 MARV? MM-HMM. 262 00:18:15,044 --> 00:18:18,980 NO WAY. IMPOSSIBLE. GOT TO BE A DISTANT RELATIVE. 263 00:18:19,048 --> 00:18:22,716 OH, MAN, HERE WE GO AGAIN. 264 00:18:34,197 --> 00:18:37,698 I ALMOST DIDN'T MAKE IT THROUGH THE DAY WHEN I FOUND OUT ABOUT IT. 265 00:18:39,502 --> 00:18:42,836 MARV AND ME WERE LIKE THAT. 266 00:18:42,906 --> 00:18:48,742 HE USED TO CALL ME J.D., AND I CALLED HIM BIG M. 267 00:18:48,811 --> 00:18:51,678 I HAD A NICKNAME FOR HIM TOO. YEAH? 268 00:18:51,747 --> 00:18:55,383 BISCUIT. YOU KNOW, AFTER SEABISCUIT? HMM? 269 00:18:55,451 --> 00:18:58,752 THAT'S THE... THAT'S THE NAME OF THE RACEHORSE. 270 00:19:41,230 --> 00:19:44,765 IT STEERS LIKE AN ABSOLUTE DREAM. 271 00:19:53,309 --> 00:19:56,344 DAMN GOOD THING THAT HIROHITO DIDN'T HAVE ONE OF THESE IN '44, HUH, GUYS? 272 00:19:56,412 --> 00:19:59,246 HIROHITO... THAT'S NOT FOR TRANSLATION, WEBSTER. 273 00:19:59,315 --> 00:20:01,582 OH. SORRY, SIR. 274 00:20:12,895 --> 00:20:15,707 WE'VE GOT ABOUT 40 MINUTES TO KILL. WHAT DO YOU SAY WE GRAB A BITE TO EAT? 275 00:20:15,731 --> 00:20:17,209 I KNOW A LITTLE PLACE NOT FAR FROM HERE... 276 00:20:17,233 --> 00:20:19,733 THAT'LL MAKE THOSE LITTLE FELLAS FEEL RIGHT AT HOME. 277 00:20:37,487 --> 00:20:39,653 I'LL PARK IT MYSELF. 278 00:20:49,465 --> 00:20:52,033 UH-OH. 279 00:20:52,101 --> 00:20:54,101 OOH! 280 00:21:34,009 --> 00:21:36,477 COME ON. WE'LL HAVE A LITTLE BITE TO EAT. 281 00:21:36,546 --> 00:21:39,413 I DON'T KNOW WHAT HAPPENED. 282 00:21:39,482 --> 00:21:41,693 THEY JUST CAME IN AND... I DON'T KNOW! I DON'T KNOW! 283 00:21:44,320 --> 00:21:48,055 ASK THEM. I DON'T KNOW. THEY CAME IN AND... 284 00:21:50,693 --> 00:21:53,660 THEY JUST CAME IN AND... WE WILL CALL THE POLICE. 285 00:21:53,729 --> 00:21:56,263 YOU WAIT HERE. UH, WEBSTER, 286 00:21:56,332 --> 00:21:58,665 EXCHANGE THE NECESSARY INFORMATION WITH HER, WILL YOU? 287 00:21:58,734 --> 00:22:01,102 YES, SIR. UH... 288 00:22:01,170 --> 00:22:03,315 LET'S DO A RUN ON HER IMMIGRATION STATUS WHILE WE'RE AT IT. 289 00:22:03,339 --> 00:22:06,039 YES, SIR. COME ON, LITTLE GUY. 290 00:22:06,109 --> 00:22:09,009 I'M GONNA TAKE CARE OF IT. NO! NO! 291 00:22:09,078 --> 00:22:11,078 PHIL! 292 00:22:14,417 --> 00:22:17,751 I'VE GOT OVER A DOZEN MORE APPLICATIONS FOR TRANSFER HERE. 293 00:22:17,820 --> 00:22:21,155 FIFTEEN, TO BE PRECISE, FRANCIS. 294 00:22:21,224 --> 00:22:23,768 WELL, AT THIS RATE, WE MAY AS WELL ALL PACK UP AND LEAVE. 295 00:22:23,792 --> 00:22:26,494 MMM? THE THOUGHT HAS CROSSED MY MIND. 296 00:22:27,663 --> 00:22:31,098 PHIL, WILL YOU TALK TO THESE PEOPLE? 297 00:22:31,167 --> 00:22:33,501 I CAN'T PROCESS OVER 75 REQUESTS FOR TRANSFER. 298 00:22:33,569 --> 00:22:36,137 THEY'LL THINK WE'RE NUTS. AS YOU WISH, FRANCIS, 299 00:22:36,205 --> 00:22:38,606 NOT THAT I GUARANTEE IT'LL DO ANY GOOD. 300 00:22:38,674 --> 00:22:41,842 THEY FIGURE IF YOU LEAVE, WHY STAY? 301 00:22:45,748 --> 00:22:49,250 OH, I TAKE IT MIDTOWN HAS SENT UP THAT TAPE OF FAY'S OBSCENE PHONE CALLER. 302 00:22:49,318 --> 00:22:51,718 YEAH, I TOOK THE LIBERTY OF BORROWING THIS FROM HENRY'S DESK. 303 00:22:52,988 --> 00:22:55,889 THAT'S RIGHT, BABY. YOU HEARD ME. 304 00:22:55,958 --> 00:23:00,427 PEANUT BUTTER... ALL UP AND DOWN YOUR BODY. 305 00:23:00,496 --> 00:23:02,829 YOU KNOW YOU LOVE IT. 306 00:23:02,898 --> 00:23:05,932 YOU KNOW YOU NEED IT. 307 00:23:06,001 --> 00:23:10,103 WOW! I'M GETTING REALLY TURNED ON, BABY, 308 00:23:10,173 --> 00:23:13,040 AND I... I AIN'T EVEN TALKIN' JELLY YET. 309 00:23:19,148 --> 00:23:21,182 THEY LIKED IT, HUH? GOOD. 310 00:23:21,250 --> 00:23:25,085 YOU KNOW, THERE'S NOTHING LIKE RAW FISH TO BUILD UP THE NUCLEIC ACIDS, HUH? 311 00:23:28,624 --> 00:23:31,592 WHY, I REMEMBER WHEN I WAS STATIONED... 312 00:23:31,661 --> 00:23:36,297 IN THE PHILIPPINES FOR SEVERAL WEEKS IN '58. 313 00:23:36,365 --> 00:23:38,299 THERE WERE SEVERAL... 314 00:23:44,473 --> 00:23:48,108 WHAT IS HE SAYING, WEBSTER? MR. O'KINO HUMBLY INQUIRES, 315 00:23:48,177 --> 00:23:53,214 WITH ALL DUE RESPECT, SIR, WHETHER YOU MAY HAVE LEFT THE KEYS IN THE IGNITION. 316 00:23:53,282 --> 00:23:55,516 NOW, JUST A MOMENT HERE. 317 00:23:55,585 --> 00:23:59,152 DO I LOOK LIKE THE SORT OF MAN WHO WOULD LEAVE THE KEYS... 318 00:23:59,222 --> 00:24:02,201 IN THE IGNITION OF A SIX-MILLION-DOLLAR ASSAULT TANK? 319 00:24:02,225 --> 00:24:04,157 WHY, I'VE GOT 'EM RIGHT HERE. 320 00:24:04,227 --> 00:24:08,295 RIGHT... RIGHT IN MY, UH... MY... 321 00:24:14,019 --> 00:24:15,952 LET'S MAKE IT QUICK, BABE. 322 00:24:16,021 --> 00:24:18,200 THIS SALOONDROMAT'S CUTTIN' INTO OUR WORKDAY ENOUGH AS IT IS. 323 00:24:18,224 --> 00:24:20,857 RELAX, MAN. I JUST WANNA SEE HOW SHE LOOKS OVER THE BAR. 324 00:24:20,926 --> 00:24:22,926 HUH? I THINK SHE'D LOOK BETTER BEHIND BARS. 325 00:24:22,995 --> 00:24:24,973 YOU MIGHT KNOW A LOT ABOUT A LOT, NEAL, 326 00:24:24,997 --> 00:24:28,165 BUT WHEN IT COMES TO SERIOUS ART, YOU GOT A TERRIBLE DEFICIENCY. 327 00:24:28,234 --> 00:24:30,534 YEAH, SURE, SURE. 328 00:24:30,603 --> 00:24:32,603 GEEZ. 329 00:24:44,950 --> 00:24:47,284 YOU WANNA HANG YOURSELF CAREER-WISE, BE MY GUEST. 330 00:24:47,353 --> 00:24:50,321 JUST DON'T TAKE ME WITH YOU. HELLO, EMIL. 331 00:24:52,858 --> 00:24:54,858 YOU'RE BEATIN' A DEAD HORSE, FRANK. 332 00:24:54,927 --> 00:24:58,295 NOBODY'S GONNA BELIEVE THAT McAURLEY WAS PUTTIN' IT TO THAT RIVAS GIRL, 333 00:24:58,364 --> 00:25:00,475 ESPECIALLY NOT AFTER WHAT HE SAID ON TV THE OTHER NIGHT. 334 00:25:00,499 --> 00:25:03,200 OH, YEAH, THAT WAS A NICE SOFT SHOE. 335 00:25:03,269 --> 00:25:05,769 COMPARES FAVORABLY WITH THE CHECKERS SPEECH. 336 00:25:05,838 --> 00:25:08,405 WHY DON'T YOU JUST LET IT THE HELL BE? 337 00:25:08,474 --> 00:25:10,874 BECAUSE SOMEBODY'S GOT TO TELL THE TRUTH ABOUT THIS, EMIL, 338 00:25:10,943 --> 00:25:12,909 SINCE NEITHER YOU NOR THE D.A. SEEMS WILLING. 339 00:25:12,978 --> 00:25:15,979 LOOK AT THE BOTTOM LINE. RODRIGUEZ PULLED THAT TRIGGER. 340 00:25:16,048 --> 00:25:17,981 WE BOTH KNOW THAT. 341 00:25:18,050 --> 00:25:20,128 WHAT DIFFERENCE DOES DRAGGING McAURLEY INTO IT GONNA MAKE? 342 00:25:20,152 --> 00:25:22,453 A LOT. AS IN THE DIFFERENCE, FOR INSTANCE, 343 00:25:22,521 --> 00:25:24,722 BETWEEN MANSLAUGHTER AND MURDER ONE. 344 00:25:24,790 --> 00:25:27,090 RODRIGUEZ? 345 00:25:27,159 --> 00:25:30,439 LISTEN, BELIEVE ME, WHATEVER THAT KID GETS, HE'S GOT COMIN'. 346 00:25:30,496 --> 00:25:34,231 I'VE BEEN CLEANING UP AFTER DIRT LIKE THAT FOR 27 YEARS, FRANK. 347 00:25:34,300 --> 00:25:37,134 OH, EMIL, THAT'S NO ANSWER. 348 00:25:37,202 --> 00:25:39,637 SURELY WE'VE GOT MORE MORALITY THAN THAT. 349 00:25:39,705 --> 00:25:42,839 DON'T YOU PREACH AT ME, FRANK. YOU WANNA TALK MORALITY? 350 00:25:42,908 --> 00:25:45,320 WHERE'S THE MORALITY IN RUINING A GOOD MAN LIKE McAURLEY? 351 00:25:45,344 --> 00:25:49,380 McAURLEY? OH, YEAH. HE'S A PRINCE. 352 00:25:49,448 --> 00:25:53,183 YOU BE SURE TO STOP ME, EMIL, IF I'M WRONG. 353 00:25:53,252 --> 00:25:55,185 WHAT WE HAVE HERE... 354 00:25:55,254 --> 00:25:59,556 IS A MARRIED MAN WITH TWO KIDS, INVOLVED IN WHAT AMOUNTS TO... 355 00:25:59,625 --> 00:26:02,058 REPEATED STATUTORY RAPE OF A JUVENILE... 356 00:26:02,127 --> 00:26:05,796 WHILE PAYING DUES TO A TEENAGE SEX CLUB. 357 00:26:05,864 --> 00:26:11,335 EMIL, YOU'RE THE BEST HOMICIDE DETECTIVE THIS CITY'S EVER HAD, 358 00:26:11,404 --> 00:26:13,870 AND YET YOU'RE ABOUT TO FLUSH IT ALL AWAY, 359 00:26:13,939 --> 00:26:16,117 COVERING UP AT THE VERY LEAST... 360 00:26:16,141 --> 00:26:18,186 THE MASSIVE INDISCRETIONS OF A PUBLIC OFFICIAL. 361 00:26:18,210 --> 00:26:20,143 THAT'S NOT YOU, EMIL. 362 00:26:22,214 --> 00:26:24,454 THERE HAS TO BE A REASON. 363 00:26:25,351 --> 00:26:27,391 EXCUSE ME, FRANCIS. SAM ECKER'S ON THE LINE. 364 00:26:27,420 --> 00:26:30,621 IT SEEMS MIDTOWN HAS CAUGHT UP WITH FAY'S OBSCENE CALLER. 365 00:26:30,690 --> 00:26:33,034 OH, THANKS, PHIL. ASK HIM TO WAIT A MINUTE, WOULD YOU? 366 00:26:33,058 --> 00:26:36,159 WILL DO. HOW GOES THE WAR, EMIL? 367 00:26:36,228 --> 00:26:38,862 FEELIN' THE YEARS, PHIL. INDEED. 368 00:26:38,931 --> 00:26:43,834 EACH PASSING ONE A SAD REMINDER OF OPPORTUNITY LOST, PROGENY-WISE. 369 00:26:53,946 --> 00:26:58,349 PHONE THE D.A.'s OFFICE, EMIL, AND GET A SUBPOENA FOR McAURLEY. 370 00:26:58,417 --> 00:27:01,385 OR WHAT? OR BE PREPARED FOR A LOT OF PHONE CALLS. 371 00:27:01,454 --> 00:27:03,754 BECAUSE IF YOU DON'T, YOU KNOW I HAVE... 372 00:27:03,823 --> 00:27:06,457 ONLY ONE OTHER ALTERNATIVE, AND THAT'S TO GO PUBLIC. 373 00:27:06,525 --> 00:27:09,393 THAT'S CRAZY. THAT'S SUICIDE, FRANK. 374 00:27:09,462 --> 00:27:12,006 YOU TAKE THIS OUTSIDE, YOU'RE FINISHED. YOU KNOW THAT. 375 00:27:12,030 --> 00:27:14,231 YOU GONNA CALL SWANSON OR DO I? 376 00:27:28,814 --> 00:27:30,748 YEAH, SAM? 377 00:27:30,816 --> 00:27:33,851 RIGHT. PHIL TOLD ME. GREAT COLLAR. 378 00:27:33,919 --> 00:27:36,754 YEAH, FAY'LL BE ENORMOUSLY... 379 00:27:36,822 --> 00:27:40,290 RUN THAT BY ME AGAIN, SAM. 380 00:27:40,359 --> 00:27:42,292 DO ME THE FAVOR, SAM, AND JUST HOLD ON TO HIM. 381 00:27:42,361 --> 00:27:45,362 I'LL GET BACK TO YOU. 382 00:27:45,431 --> 00:27:48,331 UH, FRANK, YOU REMEMBER HARVEY. 383 00:27:48,401 --> 00:27:50,634 FAY, THAT WAS ECKER. 384 00:27:50,703 --> 00:27:54,838 HE TELLS ME YOU'RE RELUCTANT TO PRESS CHARGES AGAINST THIS CREEP. 385 00:27:54,907 --> 00:27:58,542 WELL, PERHAPS I CAN SHED SOME LIGHT ON THE SUBJECT, FRANK. 386 00:27:58,611 --> 00:28:01,344 OKAY, EITHER ONE OF YOU, START TALKING. 387 00:28:01,414 --> 00:28:05,616 THE FACT IS THAT WE'VE DECIDED NOT TO PRESS CHARGES ON THE MAN THAT WAS ARRESTED. 388 00:28:05,684 --> 00:28:08,552 WHAT THE HELL DOES THAT MEAN, "WE"? 389 00:28:09,655 --> 00:28:11,789 THIS MAN THAT YOU ARRESTED... 390 00:28:11,857 --> 00:28:14,458 HAPPENS TO BE A PATIENT OF MINE... 391 00:28:14,527 --> 00:28:16,727 WHO EVIDENTLY DEVELOPED SOME KIND... 392 00:28:16,796 --> 00:28:19,730 OF AN AUDIO-LIBIDINAL OBSESSION FOR FAY... 393 00:28:19,799 --> 00:28:22,733 AS A RESULT OF HER WORKING IN MY OFFICE FOR ME. 394 00:28:22,802 --> 00:28:25,736 OUR PROSECUTION OF HIM WOULD CONSTITUTE... 395 00:28:25,805 --> 00:28:29,072 A SERIOUS BREACH OF THE CONFIDENTIALITY DOCTRINE... 396 00:28:29,141 --> 00:28:32,910 THAT IS IMPLICIT IN THE RELATIONSHIP BETWEEN A DOCTOR AND HIS PATIENT... 397 00:28:32,978 --> 00:28:36,379 DON'T TALK CONFIDENTIALITY TO ME, DOCTOR. 398 00:28:36,449 --> 00:28:39,783 YOU'RE A SHRINK AND I'M A COP, AND NEITHER ONE OF US IS A LAWYER. 399 00:28:39,852 --> 00:28:42,419 WHAT I'M TRYING TO SAY, FRANK, 400 00:28:42,488 --> 00:28:44,721 IS THAT THE MAN IS ESSENTIALLY HARMLESS. 401 00:28:44,790 --> 00:28:48,058 THE MAN IS A DANGEROUS PSYCHO... 402 00:28:48,126 --> 00:28:51,895 WHO BREACHED THE SECURITY OF MY WIFE'S AND CHILD'S HOME! 403 00:28:51,964 --> 00:28:54,331 IN THEIR ABSENCE, FRANK. 404 00:28:54,399 --> 00:28:57,901 HE KNEW THAT THE HOUSE WAS EMPTY. OH, REALLY? 405 00:28:57,970 --> 00:29:02,739 WELL, MAYBE YOU'D LIKE TO LOOK AT SOME PHOTOGRAPHS OF MY WIFE'S BED... 406 00:29:02,808 --> 00:29:05,186 AFTER THIS CRAZY GOT HIS KICKS ON IT. 407 00:29:05,210 --> 00:29:08,323 A BED, I UNDERSTAND, YOU'RE MORE THAN PASSING FAMILIAR WITH. 408 00:29:08,347 --> 00:29:12,082 I DON'T THINK THAT'S GERMANE, FRANK. YOU DON'T? 409 00:29:12,150 --> 00:29:15,452 WELL, THEN, PERHAPS A TAPE RECORDING... 410 00:29:15,521 --> 00:29:18,722 OF YOUR AUDIO-LIBIDINAL SLIME BAG... 411 00:29:18,791 --> 00:29:22,793 THREATENING TO TIE HER UP WITH BUNGEE CORDS! 412 00:29:22,862 --> 00:29:26,229 I REALIZE THE DISTRESS THIS MAN HAS CAUSED. 413 00:29:26,298 --> 00:29:30,000 I'M NOT MINIMIZING THAT ASPECT OF THE SITUATION. 414 00:29:30,068 --> 00:29:33,136 FRANK, SEE, HARVEY FEELS... 415 00:29:33,205 --> 00:29:35,183 THAT IF WE PROSECUTE THIS MAN, 416 00:29:35,207 --> 00:29:37,185 WE COULD SET HIS THERAPY BACK TWO YEARS. 417 00:29:37,209 --> 00:29:39,420 OH, REALLY! 418 00:29:39,444 --> 00:29:41,845 A LOT OF GOOD IT'S DONE HIM SO FAR! 419 00:29:41,914 --> 00:29:45,015 YES? 420 00:29:45,083 --> 00:29:47,562 AS SOON AS I CAN, DAVE. I WANT YOU OVER HERE NOW! 421 00:29:47,586 --> 00:29:49,520 LOOK, COMMANDER... 422 00:29:49,588 --> 00:29:51,566 I WANT YOU HERE NOW, RIGHT AWAY! 423 00:29:51,590 --> 00:29:53,824 YOU UNDERSTAND? YEAH, I'LL BE RIGHT THERE. 424 00:29:53,893 --> 00:29:56,593 I SAID I'D BE RIGHT THERE. THANK YOU VERY MUCH. 425 00:30:00,499 --> 00:30:03,700 I'M SORRY I LOST MY TEMPER. UH, COULD WE TALK, FAY? 426 00:30:03,769 --> 00:30:06,637 FOR JUST A MINUTE? ALONE? 427 00:30:07,806 --> 00:30:09,740 HARVEY, WAIT OUTSIDE. 428 00:30:09,808 --> 00:30:13,043 PLEASE? AS ALWAYS, FRANK. 429 00:30:24,823 --> 00:30:27,090 FAY, I HONESTLY BELIEVE THAT... 430 00:30:27,159 --> 00:30:30,293 ANY MAN WHO COULD DO WHAT THIS... 431 00:30:30,362 --> 00:30:34,397 ANIMAL... HAS DONE TO YOU IS CAPABLE OF WORSE. 432 00:30:34,466 --> 00:30:36,399 YOU'VE GOT TO PRESS CHARGES. 433 00:30:36,468 --> 00:30:39,002 OH, I DON'T KNOW, FRANK. 434 00:30:39,071 --> 00:30:41,304 I MEAN, HARVEY IS THE EXPERT, 435 00:30:41,373 --> 00:30:44,553 AND HE FEELS THAT THE MAN'S NOT LIKELY TO DO IT AGAIN. 436 00:30:44,577 --> 00:30:48,045 THAT'S NOT GOOD ENOUGH. I DON'T WANT YOU TO TAKE THE CHANCE. 437 00:30:48,113 --> 00:30:50,513 WELL, HE'S STAKING HIS REPUTATION ON IT. 438 00:30:50,583 --> 00:30:52,683 I DON'T GIVE A DAMN ABOUT HARVEY'S REPUTATION. 439 00:30:52,751 --> 00:30:56,853 WHAT I DO CARE ABOUT IS YOURS AND FRANK JR.'s SAFETY, 440 00:30:56,922 --> 00:30:58,855 AND I WON'T TOLERATE YOU BEING BLACKMAILED... 441 00:30:58,924 --> 00:31:01,191 INTO DOING SOMETHING YOU KNOW IS WRONG. 442 00:31:01,259 --> 00:31:05,195 OH, THAT SORT OF JUDGMENT IS VERY EASY FOR YOU, ISN'T IT, FRANK? 443 00:31:05,263 --> 00:31:08,765 I MEAN, AFTER ALL, YOU'RE OUT THERE, FREE AS A BIRD. 444 00:31:08,834 --> 00:31:10,793 WHAT THE HELL DOES THAT HAVE TO DO WITH PRESSING 445 00:31:10,817 --> 00:31:12,469 CHARGES AGAINST AN OBSCENE PHONE CALLER? 446 00:31:12,537 --> 00:31:16,139 I'M GOING TO BE 37 YEARS OLD, FRANK, 447 00:31:16,208 --> 00:31:18,775 ONE OF THESE DAYS, AND I'M JUST A LITTLE SCARED. 448 00:31:18,844 --> 00:31:20,376 OH, FAY. 449 00:31:20,445 --> 00:31:22,746 HOW MANY HARVEYS DO YOU THINK ARE OUT THERE? 450 00:31:22,815 --> 00:31:27,150 YOU'RE AN INTELLIGENT, ATTRACTIVE WOMAN WITH A GREAT DEAL TO OFFER. 451 00:31:27,219 --> 00:31:30,887 SURE, YOU SEE IT, I SEE IT, 452 00:31:30,956 --> 00:31:33,323 BUT THE REST OF THE WORLD SEES A MIDDLE-AGED LADY... 453 00:31:33,391 --> 00:31:35,926 IN A LOW-PAYING JOB WITH AN EIGHT-YEAR-OLD KID... 454 00:31:35,995 --> 00:31:37,928 AND A SWELL SET OF STRETCH MARKS. 455 00:31:43,802 --> 00:31:48,471 PLEASE, TAKE YOURSELF OVER TO MIDTOWN AND FILE CHARGES. 456 00:31:48,540 --> 00:31:52,408 YOU'LL SLEEP BETTER, FRANK JR.'LL SLEEP BETTER, AND I'LL SLEEP BETTER. 457 00:31:52,477 --> 00:31:56,179 AND IF YOU LOSE HARVEY OVER THIS, WHICH, BY THE WAY, I DOUBT, 458 00:31:56,248 --> 00:31:58,682 HE WASN'T WORTH HOLDING ON TO IN THE FIRST PLACE. 459 00:31:59,685 --> 00:32:03,319 OKAY? OKAY. 460 00:32:06,258 --> 00:32:09,159 BUT IF I LOSE HIM OVER THIS, YOU HAVE TO TAKE ME BACK. 461 00:32:09,227 --> 00:32:12,829 WHAT? A MIDDLE-AGED WOMAN WITH STRETCH MARKS? 462 00:32:12,898 --> 00:32:14,898 OH, YOU! 463 00:32:28,029 --> 00:32:33,700 OH, MICK, IT SEEMS WE'VE BEEN JUST MISSING EACH OTHER ALL DAY. 464 00:32:33,769 --> 00:32:36,803 DID YOU GET A CHANCE TO LOOK AT MY TRANSFER REQUEST YET, CAPTAIN? 465 00:32:36,872 --> 00:32:40,707 YEAH, I DID. I'LL BE BACK IN AN HOUR OR SO. WE CAN TALK ABOUT IT, OKAY? 466 00:32:44,846 --> 00:32:50,149 UH, MICK, YOU DON'T REALLY WANNA MOVE DOWNTOWN TO NARCOTICS, DO YOU? 467 00:32:50,218 --> 00:32:52,452 SURE. WHY NOT? 468 00:32:52,521 --> 00:32:55,422 LOTS OF ACTION DOWN THERE, LONG HOURS. 469 00:32:55,490 --> 00:32:58,425 MOST OF THEM IN THE DARK, WHICH I PREFER. 470 00:32:58,493 --> 00:33:00,527 PLUS YOU GOT A BETTER CHANCE OF GETTIN' KILLED. 471 00:33:00,595 --> 00:33:02,874 NOT THAT IT'S GOT ANYTHING TO DO WITH YOUR LEAVING, 472 00:33:02,898 --> 00:33:05,465 'CAUSE IT'S GOT NOTHING TO DO WITH THAT WHATSOEVER. 473 00:33:07,402 --> 00:33:10,570 IS THERE SOMETHING ON YOUR MIND, DOG DROOL? 474 00:33:10,639 --> 00:33:12,639 COME ON! MOVE! 475 00:33:16,645 --> 00:33:19,345 EVERYTHING I LAY MY HANDS ON TURNS TO HUMAN DEFICIT... 476 00:33:19,414 --> 00:33:21,815 RIGHT IN FRONT OF MY EYES. 477 00:33:21,883 --> 00:33:24,851 HOW COULD THEY TEAR MY SALOONDROMAT DOWN? 478 00:33:24,920 --> 00:33:26,853 THEY MUST'VE HAD A CITY PERMIT, MAN. 479 00:33:26,922 --> 00:33:29,489 I DON'T CARE! 480 00:33:29,558 --> 00:33:33,493 I DON'T CARE, NEAL. I JUST DON'T CARE ANYMORE. 481 00:33:33,562 --> 00:33:36,963 HEY, YOU CAN'T WIN 'EM ALL, J.D. 482 00:33:37,031 --> 00:33:40,132 WIN 'EM ALL? I WANNA WIN ONE! 483 00:33:41,570 --> 00:33:44,270 I KNOW, BABE. I KNOW. 484 00:33:45,941 --> 00:33:48,475 AH, THEY'VE FINALLY DONE IT, MAN. 485 00:33:49,811 --> 00:33:51,789 THEY HAVE FINALLY BROKEN ME. 486 00:33:51,813 --> 00:33:55,081 OKAY, FRANK, WE'LL PUT THE COUNSELOR ASIDE FOR THE MOMENT. 487 00:33:55,149 --> 00:33:57,183 THE FACT IS, IF YOU DO GO PUBLIC, 488 00:33:57,251 --> 00:33:59,719 YOU'RE GONNA CREATE SOME SERIOUS PROBLEMS FOR THE DEPARTMENT, 489 00:33:59,788 --> 00:34:01,855 NOT TO MENTION WHAT IT'LL DO TO YOUR COMMANDERSHIP. 490 00:34:01,923 --> 00:34:04,924 OH, DAVE, MAYBE I SHOULD JUST TAKE MYSELF OUT OF THE RUNNING. 491 00:34:04,993 --> 00:34:07,371 I'M GONNA DO YOU A BIG FAVOR, FRANK, AND FORGET YOU SAID THAT. 492 00:34:07,395 --> 00:34:09,328 I'LL GIVE YOU SOME TIME TO THINK ABOUT IT. 493 00:34:09,397 --> 00:34:12,198 I HAVE THOUGHT ABOUT IT FOR THREE WEEKS, DAVE. 494 00:34:12,266 --> 00:34:14,400 THREE WEEKS OF BREAKFASTS WITH THE CHIEF, 495 00:34:14,469 --> 00:34:19,939 DIVISIONAL BACKSLAPPING AND POLITICAL CLUB SODAS WITH THE BOYS AT MADIGAN'S. 496 00:34:20,008 --> 00:34:22,453 MAYBE IT'S A STUPID CAREER MOVE. I DON'T KNOW. 497 00:34:22,477 --> 00:34:24,777 BUT THE TRUTH IS, I'M NOT SURE I WANT THAT JOB. 498 00:34:24,846 --> 00:34:27,313 NOT IF IT MEANS GOING IN THERE EVERY DAY WITH BLINDERS ON. 499 00:34:27,382 --> 00:34:30,016 YOU'RE FORGETTING WHO PUT YOUR NAME IN THE HAT, FRANK, 500 00:34:30,084 --> 00:34:33,252 WHO'S BEEN POLITICKING FOR YOU FOR MONTHS... ME! 501 00:34:33,321 --> 00:34:36,990 I'M REALLY SORRY ABOUT THAT, DAVE, AND I'D MAKE IT UP TO YOU IF I COULD. 502 00:34:43,364 --> 00:34:46,633 YOU GO ALL THE WAY ON THIS, YOU'RE GONNA SPEND THE REST OF YOUR LIFE IN THE HILL. 503 00:34:46,701 --> 00:34:49,101 YOU KNOW THAT. IT'S A HELL OF A WASTE, FRANK. 504 00:34:49,170 --> 00:34:51,103 I HATE TO SEE IT HAPPEN. 505 00:34:51,172 --> 00:34:53,406 ARE YOU GONNA BRING McAURLEY IN OR DO I? 506 00:34:53,474 --> 00:34:56,242 YOU DON'T GIVE ME MUCH CHOICE. 507 00:34:59,180 --> 00:35:02,326 I'M TELLING YOU. IF HE WOULD'VE KEPT US ON THAT RIVAS MURDER, 508 00:35:02,350 --> 00:35:04,729 WE COULD'VE GOTTEN INTO HOMICIDE THROUGH THE BACK DOOR. 509 00:35:04,753 --> 00:35:06,864 BUT NO. IF YOU'RE SO DAMNED ANXIOUS TO BE WEARING A SUIT, 510 00:35:06,888 --> 00:35:09,634 I COULD EASILY RECOMMEND SOME BROKERAGE HOUSES, RENKO. 511 00:35:09,658 --> 00:35:12,525 I JUST MIGHT TAKE YOU UP ON THAT. WE'RE COPS, MAN! 512 00:35:12,594 --> 00:35:15,461 I'M AWARE OF THAT. THE ONLY THING THESE BLUES HAVE DONE FOR ME... 513 00:35:15,530 --> 00:35:19,666 IS GIVE ME FREE COFFEE REFILLS AND AN OCCASIONAL BULLET WOUND. 514 00:35:19,734 --> 00:35:23,202 I'M SO TIRED OF WORKIN' HERE AND NOT BEING... 515 00:35:23,271 --> 00:35:26,005 SHUT UP! HORN BLOWERS. I HATE THAT. BACK UP. 516 00:35:26,074 --> 00:35:28,474 WOULD YOU RELAX? JUST BACK UP. I HATE THAT! 517 00:35:28,543 --> 00:35:31,878 SUSPECT VEHICLE IS LATE-MODEL, YELLOW, FOUR-DOOR SEDAN. 518 00:35:31,947 --> 00:35:34,681 LAST SEEN NORTHBOUND ON DEKKER FROM LOCATION. 519 00:35:34,749 --> 00:35:37,216 LATE-MODEL YELLOW FORD. STAND BY FOR FURTHER ALERTS. 520 00:35:37,285 --> 00:35:39,619 OH, LORD, JUST WHAT I NEED TO SETTLE MY LUNCH. 521 00:35:45,026 --> 00:35:48,027 OUT OF THE CAR WITH YOUR HANDS UP IN THE AIR SO WE CAN SEE 'EM, RIGHT NOW! 522 00:35:49,430 --> 00:35:52,331 DOESN'T LOOK LIKE NO WHITE BOY TO ME... ARMED AND DANGEROUS. 523 00:35:52,400 --> 00:35:55,568 ALL RIGHT, COMPADRE. JUST PUT YOUR HANDS UP AGAINST THE CAR. 524 00:35:55,637 --> 00:35:59,072 DON'T TALK. PUT YOUR HANDS AGAINST THE CAR. 525 00:35:59,140 --> 00:36:01,340 DO ME A FAVOR. WHAT IS HE JABBERING ABOUT? 526 00:36:01,409 --> 00:36:03,320 I DON'T KNOW WHAT HE'S SAYING. 527 00:36:03,344 --> 00:36:06,223 WOULD YOU SHUT UP, PLEASE? SILENCIO, POR FAVOR! OH, MY GOODNESS! 528 00:36:06,247 --> 00:36:08,748 SIR, I APOLOGIZE. WE'LL PUT YOU IN THIS CAR... 529 00:36:08,817 --> 00:36:10,861 AND GIVE YOU A POLICE ESCORT DOWN TO ST. JOHN'S HOSPITAL. 530 00:36:10,885 --> 00:36:12,986 POLICÍA "ESCORTO." WE'RE NOT GOING ANYWHERE. 531 00:36:13,054 --> 00:36:16,089 THE WOMAN'S GONNA HAVE A BABY. THE WOMAN IS HAVING A BABY. 532 00:36:16,157 --> 00:36:18,202 I'LL GO GET THE MEDICAL KIT. WE DON'T HAVE ANY TIME. 533 00:36:18,226 --> 00:36:21,527 JUST GET IN THE OTHER SIDE... BOBBY, I CAN'T... UH-UH. 534 00:36:21,596 --> 00:36:24,396 JUST GET IN THE OTHER SIDE AND HOLD HER STILL. GET IN THE CAR. 535 00:36:24,465 --> 00:36:26,866 OKAY, HOLD HER SHOULDERS. 536 00:36:26,935 --> 00:36:29,814 HOLD HER SHOULDERS. IT'S OKAY. IT'S OKAY. ALL RIGHT, MAMA. 537 00:36:29,838 --> 00:36:32,105 - ARE WE OKAY? - RELAX AND BE REAL QUIET NOW. 538 00:36:32,173 --> 00:36:35,119 YOU'RE SUPPOSED TO BREATHE LIKE THIS, RIGHT? BREATHE DEEPLY. 539 00:36:35,143 --> 00:36:37,922 SOMETHING LIKE THAT? THAT'S GOOD. I WANT YOU TO PUSH. 540 00:36:37,946 --> 00:36:40,057 PUSH. THAT'S GOOD. THAT'S GOOD. JUST LIKE THAT. 541 00:36:42,684 --> 00:36:47,353 - WHAT ARE YOU GONNA DO? - I'M GONNA TRY TO TURN THE BABY'S SHOULDERS. 542 00:36:47,421 --> 00:36:50,123 PUSH! PUSH! 543 00:36:50,191 --> 00:36:53,459 YOU HOLD ON. DON'T YOU WORRY ABOUT A THING. JUST KEEP SAYING' YOUR PRAYERS. 544 00:36:53,528 --> 00:36:56,796 PUSH! PUSH! PUSH! 545 00:36:56,865 --> 00:37:00,133 I'M JUST GONNA TRY TO TURN THE SHOULDERS. OH, MY LORD! 546 00:37:00,201 --> 00:37:04,037 PUSH! OKAY, OKAY! HERE IT COMES! 547 00:37:04,106 --> 00:37:06,539 REAL HARD! REAL HARD! THERE IT GOES! 548 00:37:11,830 --> 00:37:13,891 LOOK, IT'S A DUDE! HI.IT'S A DUDE!'? 549 00:37:13,915 --> 00:37:17,917 SEÑOR, SU HIJO. 550 00:37:17,986 --> 00:37:21,120 OH, LOOK AT THIS. HOW YOU DOIN', LITTLE FELLA? 551 00:37:21,189 --> 00:37:23,622 YOU ALL RIGHT THERE, MAMA? 552 00:37:41,760 --> 00:37:43,693 GOOD OF YOU TO BREAK AWAY, COUNSELOR. 553 00:37:43,762 --> 00:37:45,695 I'M A GOOD KID. WHAT'S GOING ON? 554 00:37:45,764 --> 00:37:48,665 RODRIGUEZ IN THERE? THEY'RE BRINGING HIM DOWN NOW. 555 00:37:48,733 --> 00:37:50,978 UH, DO YOU MIND? I THOUGHT YOU QUIT. 556 00:37:51,002 --> 00:37:53,213 I WASN'T SMOKING IT. I WAS HOLDING IT. WHAT ARE WE DOING HERE? 557 00:37:53,237 --> 00:37:55,838 WE'RE GONNA MAKE AN HONEST FELON OUT OF NEMO RODRIGUEZ. 558 00:37:57,575 --> 00:37:59,575 SPEAKING OF WHOM. 559 00:38:03,948 --> 00:38:05,982 I'LL BE RIGHT IN, NEMO. 560 00:38:10,055 --> 00:38:14,423 ASIDE FROM HATING MY GUTS, HE FIRED ME THIS MORNING. 561 00:38:16,594 --> 00:38:20,963 HE THINKS A MALE PUBLIC DEFENDER WOULD'VE BEEN MORE EFFECTIVE. 562 00:38:21,032 --> 00:38:23,900 I'D WRITE IT OFF TO LATIN ATTITUDE IF EVERY OTHER MALE DEFENDANT... 563 00:38:23,968 --> 00:38:26,836 DIDN'T SHARE THAT FEELING TO ONE DEGREE OR ANOTHER. 564 00:38:26,905 --> 00:38:29,338 I'M SORRY. YOU WERE SAYING? 565 00:38:29,407 --> 00:38:33,409 I JUST DID HALF AN HOUR WITH SWANSON. IT'S WHAT WE THOUGHT. 566 00:38:33,477 --> 00:38:35,477 THEN THE COUNCILMAN WAS THERE WHEN IT HAPPENED? 567 00:38:35,546 --> 00:38:38,147 YEP. AND SWANSON'LL TESTIFY TO THAT? 568 00:38:38,216 --> 00:38:40,795 HE DOESN'T HAVE TO. McAURLEY'S COMING IN VOLUNTARILY. 569 00:38:40,819 --> 00:38:44,520 WITH THE DEPARTMENT BAILING OUT, HE DOESN'T HAVE MUCH CHOICE. 570 00:38:44,589 --> 00:38:47,389 - WHAT ABOUT YOU? - WHAT ABOUT ME? 571 00:38:47,458 --> 00:38:49,658 WHAT'D IT COST YOU, FURILLO? 572 00:38:57,702 --> 00:38:59,702 SEE YA, DAVENPORT. 573 00:39:31,836 --> 00:39:35,182 McAURLEY WAS SLAPPING THE GIRL AROUND, AND THE KID AIMED AT HIM AND HIT HER. 574 00:39:35,206 --> 00:39:39,142 SIMPLE AS THAT... LOUSY AIM WITH A LOUSY GUN. 575 00:39:39,210 --> 00:39:41,377 AND WHO TOOK THE JEWELRY? THE AUNT, RIGHT? 576 00:39:41,445 --> 00:39:44,113 YEAH. SHE SQUIRRELED IT AWAY SOMEPLACE... 577 00:39:44,182 --> 00:39:46,649 WAITING FOR IT TO COOL OFF. 578 00:39:46,717 --> 00:39:48,695 LIFE ON THE HILL, HUH, FRANK? 579 00:39:48,719 --> 00:39:52,939 YOU DID KNOW THIS FROM DAY ONE. NOT ALL OF IT. 580 00:39:53,007 --> 00:39:55,636 THEY TOLD ME JUST WHAT THEY THOUGHT I NEEDED TO KNOW. 581 00:39:55,660 --> 00:39:59,528 WHO'S "THEY" S NOT PLAY THAT GAM. 582 00:40:05,303 --> 00:40:08,738 I'M VERY SORRY, FRANK. I'M SORRIER ABOUT THIS THAN I THINK YOU KNOW. 583 00:40:12,143 --> 00:40:15,111 WHO'D HAVE THOUGHT IT WOULD MUSHROOM LIKE THIS? 584 00:40:16,815 --> 00:40:20,066 I STILL HAVE TO KNOW WHY, EMIL. WHY YOU? 585 00:40:20,135 --> 00:40:23,218 YOU'VE BEEN THE BEST GOING FOR 30 YEARS. 586 00:40:25,690 --> 00:40:27,668 WHATEVER THE HELL THAT MEANS. 587 00:40:27,692 --> 00:40:31,160 PLEASE, EMIL, WHY? WHO'D YOU OWE? 588 00:40:36,801 --> 00:40:40,269 A COUPLE OF YEARS AGO, I HAD A LITTLE HEART PROBLEM, FRANK. 589 00:40:41,973 --> 00:40:45,274 AH, HELL, I GOT A BAD HEART, FRANK. 590 00:40:45,343 --> 00:40:47,509 I WOULDN'T BE HERE TODAY... 591 00:40:47,578 --> 00:40:50,679 IF CERTAIN PEOPLE HADN'T BEEN LOOKING THE OTHER WAY. 592 00:40:50,748 --> 00:40:54,550 GOOD PEOPLE! GOOD SOLID PEOPLE. 593 00:40:54,618 --> 00:40:57,320 WHAT WAS I SUPPOSED TO DO? McAURLEY DIDN'T KILL ANYBODY. 594 00:40:57,388 --> 00:41:00,622 BECAUSE HE GOT INVOLVED IN SOME KINKY 15-YEAR-OLD ACTION? 595 00:41:00,691 --> 00:41:04,026 THAT'S NOT MY PROBLEM. YOU DON'T SAY NO BECAUSE OF THAT. 596 00:41:04,095 --> 00:41:06,273 NOT AFTER WHAT THEY DONE FOR ME. 597 00:41:06,297 --> 00:41:09,232 OH, EMIL, THAT'S NOT NEARLY GOOD ENOUGH. 598 00:41:09,300 --> 00:41:11,834 NOT AFTER WHAT YOU DID TO THAT KID BACK THERE. 599 00:41:11,903 --> 00:41:14,803 AND YOU KNOW WHAT'S GOOD ENOUGH, HUH, FRANK? 600 00:41:16,241 --> 00:41:19,208 WHAT ARE YOU, 39, 40? 601 00:41:23,314 --> 00:41:25,814 I'M 55 YEARS OLD, FRANK. 602 00:41:26,851 --> 00:41:29,451 ALL I KNOW IS BEING A COP. 603 00:41:30,488 --> 00:41:32,955 THAT'S ALL I'VE BEEN MY WHOLE LIFE. 604 00:41:34,325 --> 00:41:36,859 TAKE THAT AWAY FROM ME, WHAT AM I GONNA DO? 605 00:41:37,996 --> 00:41:40,436 SIT ON A PARK BENCH FEEDIN' THE DUCKS? 606 00:41:40,464 --> 00:41:43,032 THAT FAVOR GAVE ME THREE MORE YEARS, FRANK, 607 00:41:43,101 --> 00:41:45,145 SO DON'T YOU SAY THAT IT WASN'T GOOD ENOUGH, 608 00:41:45,169 --> 00:41:47,436 'CAUSE YOU DON'T KNOW. 609 00:41:47,505 --> 00:41:52,008 SEE YOU AROUND, EMIL. I'M SORRY, FRANK. 610 00:41:52,076 --> 00:41:55,844 I NEVER MEANT FOR IT TO HURT YOU, BELIEVE ME. 611 00:41:57,949 --> 00:41:59,949 I KNOW. 612 00:42:03,788 --> 00:42:07,823 WOULD YOU TELL MR. FITZGERALD I'D LIKE TO BE THERE WHEN MR. McAURLEY COMES IN? 613 00:42:07,892 --> 00:42:10,659 I'LL HOLD. 614 00:42:10,728 --> 00:42:13,229 IT'S GONNA BE OKAY, KID. 615 00:42:13,298 --> 00:42:16,399 I DON'T CARE. WHO CARES, HUH? 616 00:42:16,467 --> 00:42:18,467 YOU'D BE SURPRISED. 617 00:42:30,248 --> 00:42:32,181 HILL STREET STATION. 618 00:42:32,250 --> 00:42:34,183 YES, WOULD YOU HOLD, PLEASE? 619 00:42:38,689 --> 00:42:40,622 ALL RIGHT, GENTLEMEN. 620 00:42:40,691 --> 00:42:44,193 HERE, HERE AND, UH, HERE. 621 00:42:44,262 --> 00:42:47,496 YOU'LL DEPLOY YOUR SQUADS AND GO BUILDING TO BUILDING. 622 00:42:47,565 --> 00:42:49,565 THE RAIN IS ON OUR SIDE COVER-WISE. 623 00:42:49,633 --> 00:42:51,667 UH, WEBSTER, IXNAY. 624 00:42:51,735 --> 00:42:55,004 - WHAT? IX... IXNAY... - EXCUSE ME. 625 00:42:55,073 --> 00:42:59,175 DISEMBOWELMENT, MAN. JUDAS, I THOUGHT YOU UNDERSTOOD THE ORIENTAL MIND. 626 00:42:59,243 --> 00:43:02,478 HARA-KARI IS A WAY OF LIFE OVER THERE. YES, SIR. 627 00:43:02,546 --> 00:43:07,783 NOW, THEN, WE WILL MOVE SQUAD NUMBER THREE INTO... 628 00:43:07,852 --> 00:43:10,353 WAIT A MINUTE. THIS IS THE DEKKER AVENUE... 629 00:43:10,421 --> 00:43:12,741 HOWARD, WOULD YOU MIND TELLING ME WHAT'S GOING 630 00:43:12,765 --> 00:43:14,957 ON? WHAT'S WITH THE ARMORED VANS OUT THERE? 631 00:43:15,026 --> 00:43:18,594 THERE MUST BE A HUNDRED MEN OUT THERE. LET'S TRY NOT TO PANIC, FRANK. 632 00:43:18,662 --> 00:43:20,662 IF YOU HAD BOTHERED TO COUNT, YOU WOULD FIND... 633 00:43:20,731 --> 00:43:23,265 THAT THERE ARE NINE SQUADS, WHICH IS 90 MEN. 634 00:43:23,334 --> 00:43:26,469 THAT MAKES ALL THE DIFFERENCE IN THE WORLD. WHAT'S GOING ON, HOWARD? 635 00:43:26,537 --> 00:43:28,471 IT'S LOCK-AND-LOAD TIME, FRANK. 636 00:43:28,539 --> 00:43:31,673 WE ARE LAUNCHING A MAJOR OFFENSIVE ON SNIPER ALLEY. 637 00:43:31,742 --> 00:43:34,843 THEY'VE GOT THE PANDA. IF YOU HAD BEEN HERE, 638 00:43:34,912 --> 00:43:37,458 YOU WOULD HAVE KNOWN THAT THOSE SOCIOPATHIC LITTLE COCKROACHES... 639 00:43:37,482 --> 00:43:40,316 HAVE JUST CALLED WITH A RANSOM DEMAND ONE HOUR AGO. 640 00:43:40,385 --> 00:43:43,852 AND IF YOU HAD BEEN LISTENING TO YOUR POLICE BAND, HOWARD, 641 00:43:43,921 --> 00:43:46,222 INSTEAD OF LAUNCHING AN OFFENSIVE, 642 00:43:46,290 --> 00:43:49,791 YOU'D KNOW THAT THEY FOUND YOUR TANK AN HOUR AND A HALF AGO. 643 00:43:49,860 --> 00:43:52,395 WHERE? IN THE EAST RIVER. 644 00:43:55,199 --> 00:43:57,633 THE EAST RIVER? 645 00:43:58,669 --> 00:44:03,639 - STRIPPED. - STRIPPED? 646 00:44:04,909 --> 00:44:07,143 AND GUTTED. 647 00:44:14,085 --> 00:44:16,385 HEY! 648 00:44:18,989 --> 00:44:20,989 CONGRATULATIONS. 649 00:44:23,294 --> 00:44:26,662 I SEE NEWS TRAVELS FAST. WELL, GOOD NEWS, FRANCIS. 650 00:44:26,730 --> 00:44:29,165 FOR US ANYWAY. I HOPE FOR YOU TOO. 651 00:44:29,233 --> 00:44:32,868 OH. I APPRECIATE THE THOUGHT. 652 00:44:34,372 --> 00:44:36,650 IS BELKER HERE? HE WANTED TO TALK TO ME, DIDN'T HE, PHIL? 653 00:44:36,674 --> 00:44:39,275 HE'S DOWNSTAIRS, CAPTAIN, SLEEPING LIKE A BABY. 654 00:44:39,343 --> 00:44:42,878 OH. THANKS. 655 00:44:42,947 --> 00:44:44,880 WELL, WHAT SAY WE HIT IT? 656 00:44:44,949 --> 00:44:47,316 WE'VE GOT AN HOUR ON THE CLOCK YET. 657 00:44:47,385 --> 00:44:49,351 - MM-HMM. ALL RIGHT. - SUCH A RELIEF. 658 00:44:49,420 --> 00:44:52,888 UH, RAY, I'M REALLY SORRY FOR YOUR SAKE. 659 00:44:52,957 --> 00:44:55,124 I KNOW YOU WOULD'VE GOTTEN THE CAPTAINCY. 660 00:44:55,193 --> 00:44:58,961 THAT'S ALL RIGHT, FRANK. I DIDN'T STAND A CHANCE IN HELL. 661 00:44:59,964 --> 00:45:01,964 THANKS ANYWAY. 662 00:45:07,538 --> 00:45:11,907 HE WAS A... A VERY GIVING PERSON, MARV. 663 00:45:12,910 --> 00:45:17,179 YEAH, HE GAVE AND GAVE AND GAVE. 664 00:45:18,749 --> 00:45:20,749 BOY, COULD HE GIVE. 665 00:45:26,557 --> 00:45:28,557 THIS YOURS, HENRY? 666 00:45:29,793 --> 00:45:32,361 YEAH. 667 00:45:32,430 --> 00:45:35,697 YOU MIND JUST, UH... PUT IT ON MY DESK. 668 00:45:37,668 --> 00:45:39,668 OKAY? 669 00:45:41,472 --> 00:45:45,207 LEO, J.D. THINKS... 670 00:45:45,276 --> 00:45:49,145 WE NEED TO CALL AN EMERGENCY STOCKHOLDERS' MEETING. 671 00:46:04,295 --> 00:46:06,295 TAXI! OVER HERE! 672 00:46:35,426 --> 00:46:37,759 SORRY I'M LATE. HI. 673 00:46:37,828 --> 00:46:39,939 I HAD SOME LAST-MINUTE PHONE CALLS AT THE OFFICE. 674 00:46:39,963 --> 00:46:42,030 OH, YEAH, I'LL BET YOU DID. 675 00:46:43,100 --> 00:46:45,100 IT'S ALREADY MADE THE PAPERS. 676 00:46:50,474 --> 00:46:53,576 IT'S CURIOUS, ISN'T IT? McAURLEY AND I HAVE NEVER MET. 677 00:46:53,644 --> 00:46:56,679 I'VE ONLY SEEN THE GUY ONCE IN THAT TELEVISION BROADCAST. 678 00:46:56,747 --> 00:47:00,583 YET, SOMEHOW, WE'VE MANAGED TO DERAIL EACH OTHERS' LIVES. 679 00:47:01,985 --> 00:47:04,986 REMINDS ME OF THE ELEPHANT AND THE ANT JOKE. 680 00:47:05,055 --> 00:47:07,690 THE WHAT? YOU KNOW, THE ELEPHANT AND THE ANT... 681 00:47:07,758 --> 00:47:09,692 SPEND THE NIGHT MAKING LOVE. 682 00:47:09,760 --> 00:47:11,893 NOW, WAIT, WAIT. 683 00:47:11,962 --> 00:47:15,631 AND THE NEXT MORNING, THE ANT WAKES UP TO DISCOVER THE ELEPHANT HAS DIED. 684 00:47:15,700 --> 00:47:17,633 "DAMN IT," SAYS THE ANT, 685 00:47:17,702 --> 00:47:21,337 "ONE NIGHT OF PASSION, AND I SPEND THE REST OF MY LIFE DIGGING A GRAVE." 686 00:47:21,405 --> 00:47:24,540 OH, NO! 687 00:47:24,609 --> 00:47:27,843 IT'S A GOOD THING WE'RE BOTH STILL LAUGHING.